Almost Before We Spoke, We Swore

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By NATALIE ANGIER
Published: September 20, 2005

Incensed by what it sees as a virtual pandemic of verbal vulgarity issuing from the diverse likes of Howard Stern, Bono of U2 and Robert Novak, the United States Senate is poised to consider a bill that would sharply increase the penalty for obscenity on the air.
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Tim Bower

William Shakespeare, in keeping with traditions of Elizabethan drama, peppered his plays with profanity and celebrated the vulgar as well as the sublime.
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Graphic Cursing Through the Ages
Cursing Through the Ages
Tim Bower

Geoffrey Chaucer's "Canterbury Tales" were unabashedly bawdy and profane. That may be why students can still be persuaded to read them.

By raising the fines that would be levied against offending broadcasters some fifteenfold, to a fee of about $500,000 per crudity broadcast, and by threatening to revoke the licenses of repeat polluters, the Senate seeks to return to the public square the gentler tenor of yesteryear, when seldom were heard any scurrilous words, and famous guys were not foul mouthed all day.

Yet researchers who study the evolution of language and the psychology of swearing say that they have no idea what mystic model of linguistic gentility the critics might have in mind. Cursing, they say, is a human universal. Every language, dialect or patois ever studied, living or dead, spoken by millions or by a small tribe, turns out to have its share of forbidden speech, some variant on comedian George Carlin's famous list of the seven dirty words that are not supposed to be uttered on radio or television.

Young children will memorize the illicit inventory long before they can grasp its sense, said John McWhorter, a scholar of linguistics at the Manhattan Institute and the author of "The Power of Babel," and literary giants have always constructed their art on its spine.

"The Jacobean dramatist Ben Jonson peppered his plays with fackings and "peremptorie Asses," and Shakespeare could hardly quill a stanza without inserting profanities of the day like "zounds" or "sblood" - offensive contractions of "God's wounds" and "God's blood" - or some wondrous sexual pun.

The title "Much Ado About Nothing," Dr. McWhorter said, is a word play on "Much Ado About an O Thing," the O thing being a reference to female genitalia.

Even the quintessential Good Book abounds in naughty passages like the men in II Kings 18:27 who, as the comparatively tame King James translation puts it, "eat their own dung, and drink their own piss."

In fact, said Guy Deutscher, a linguist at the University of Leiden in the Netherlands and the author of "The Unfolding of Language: An Evolutionary Tour of Mankind's Greatest Invention," the earliest writings, which date from 5,000 years ago, include their share of off-color descriptions of the human form and its ever-colorful functions. And the written record is merely a reflection of an oral tradition that Dr. Deutscher and many other psychologists and evolutionary linguists suspect dates from the rise of the human larynx, if not before.

Some researchers are so impressed by the depth and power of strong language that they are using it as a peephole into the architecture of the brain, as a means of probing the tangled, cryptic bonds between the newer, "higher" regions of the brain in charge of intellect, reason and planning, and the older, more "bestial" neural neighborhoods that give birth to our emotions.

Researchers point out that cursing is often an amalgam of raw, spontaneous feeling and targeted, gimlet-eyed cunning. When one person curses at another, they say, the curser rarely spews obscenities and insults at random, but rather will assess the object of his wrath, and adjust the content of the "uncontrollable" outburst accordingly.

Because cursing calls on the thinking and feeling pathways of the brain in roughly equal measure and with handily assessable fervor, scientists say that by studying the neural circuitry behind it they are gaining new insights into how the different domains of the brain communicate - and all for the sake of a well-venomed retort.

Other investigators have examined the physiology of cursing, how our senses and reflexes react to the sound or sight of an obscene word. They have determined that hearing a curse elicits a literal rise out of people. When electrodermal wires are placed on people's arms and fingertips to study their skin conductance patterns and the subjects then hear a few obscenities spoken clearly and firmly, participants show signs of instant arousal.

Their skin conductance patterns spike, the hairs on their arms rise, their pulse quickens, and their breathing becomes shallow.